Tower of Time

Today's game is Tower of Time - a real-time with pause tactical RPG about descending a tower.
You control a party of up to four various characters, each with a few skills that can be upgraded in a small "tree" (if choosing between two options counts as a tree), as well as some run-on-the-mill offensive and defensive attributes and items. The levels contain equipment, small "puzzles", and gold to upgrade your characters. There are also of course combat encounters which are held in a separate arena and consist of waves of spawning enemy units. Each floor is pre-built and non-repeatable, meaning you're stuck with however well you do on that floor.

To start off with the not-gameplay, there's a story which doesn't consume too much of your time, provides some context to what your doing, but failed to pique my interest overall. Tower of Time seems to be from a small-ish development team, and for that, the art is very well done, rivalling any other game, and I've no qualms regarding the audio, level design, environmental lore, or any other aspect surrounding the game.
Sadly, the gameplay itself, the most important part of any non-story game, is lacking. For all the supposed enemy variety, there isn't too much distinction to be made in terms of how to actually fight against them. Aside from the enemy being melee or ranged, what they are may change how hard it is to fight them, but more often than not doesn't create strategic depth as there's not much to do about their differences.
However, by far the most irking is how much good micromanagement will let me play better, yet how much more time it will take. This is just my usual strong dislike for real-time with pause games, as turn-based would no doubt have served this better. The enemies and my characters are already somewhat tanky instead of squishy, making this a slow-paced game. It doesn't help that my characters tend to move faster, making kiting a very effective strategy against melee enemies, and peeking very effective against ranged, who will miss if you go back into cover after they fire their projectiles that are barely faster than your movement speed. This amounts to a staggeringly slow game pace, which is downright sleep inducing.
The combat arenas are repetitive, sometimes just floor-themed reskins. Bizarrely, pause is not instant, but rather slows time to reach pause after about a second, which is significantly irritating when trying to time certain actions. The items and level-ups don't offer much either, and perhaps only the skill points and upgrades you get increase the depth of the gameplay, but even then not by much.

Overall, a game ruined by shallow combat paced far too slow. I believe you'd find an all around better experience from some larger RPG. I'd recommend Divinity: Original Sin, as usual, but even something like Pillars of Eternity and it's successors should fare better on all fronts, if you really want pause-based combat. But Tower of Time I would not recommend.

Danganronpa Another Episode: Ultra Despair Girls

Latest game I played read was Danganronpa Another Episode: Ultra Despair Girls. If you're familiar with the Danganronpa series, then the visuals, atmosphere, and story are the same crazy, unrealistics, yet oddly fascinating ones. By far the biggest difference, however, is that this one is a shooter instead of a series of murder mysteries like the previous installments.

The game opens with a lot of story (and quality animations, instead of the 3D animated ones throughout most of the game) frontloaded onto you, perhaps in an attempt to grab your attention. However, the amount of meaningful story quickly drops off and you're left with horrendous gameplay to fill most of your time. I don't want to dwell much on just how bad the experience is, but it's safe to say the developer has not played any shooters worth their salt. Just to give some examples: The camera points to a different spot when actually firing. Enemies die in one hit if you hit them in the right spot, which isn't difficult, making the game dead easy, even on the hardest difficulty. There's an interruption every couple of minutes, be it a cutscene, some dialogue, or an animation that lasts for a few seconds. They really add up and waste your time.

From the story side, which is the only thing you should care about in this game, there isn't much. Maybe around 10% is meaningful story, and even then I'm quite sure you could skip this game and go to the next one without leaving gaps in your knowledge. Better yet, don't play this, and watch two hours worth of YouTube videos showing all cutscenes and a summary of the whole thing instead. To give a quick overview of what you're missing (minor spoilers included):
The story follows after Danganronpa 2, and has two main characters you could care about - Makoto's sister, and Toko. Some of the old characters make an appearance, but don't play a big role. Some of the characters' relatives also show up, but most of them die shortly after with no time to get attached to or learn about them. On the "evil" side, we have four children with a traumatic past you'll get to briefly learn about, but all but one of them will die too, leaving them out of the picture for the future. Aaand that's basically it.

Seriously though, don't play this. I don't recommend it. If you don't know about Danganronpa at all, there's nothing for you here. If you've gone through parts 1 and 2 and loved them, settle for watching someone else's recap instead of suffering through 20 hours of this. I found the previous parts barely passable, but once you swap out the nice murder mystery aspect the author was kind of good at, you're not left with enough to justify trudging through this awful "game".

Everspace

I haven't been having a good streak of games recently. I really hope I'm just being unlucky and getting mediocre games instead of being unable to enjoy any games for some reason. Anyways, with that spoiler of my thoughts about Everspace out of the way, let me tell you a bit more about my rather brief time with it.

Everspace is a six five-degrees-of-freedom (no roll, but I don't miss it) space shooter with permadeath. It's level-based so each level you get some enemies you have to shoot while trying to dodge their shots. You got a recharging energy bar that powers your two primary weapons you can switch between as well as your movement, and you got a secondary weapon with limited ammunition, as well as two active or passive ability slots.
Between levels, it's a bit like FTL. That is, you warp forwards in a linearly progressing map and have some resources you can use for various things with different levels offering somewhat different content. Mostly still just shooting things. If at any point you happen to die, you get to use your credits to buy your ship some upgrades before going for another round from the start.

The problem with shooters is that firing a weapon is usually very similar in nature. You aim at the enemy, and you hold down the fire button. So the combat has to be really good, because it's very difficult to make something conceptually unique in a shooter. Sadly, Everspace's combat is mediocre. It's not bad, but just being mediocre makes it unenjoyably repetitive. What doesn't help is the downtime between fights as you collect the resources scattered around the level, which is just menial labor. Warp in, shoot at stuff, fly around collecting all the things they dropped or that were already in the level, and warp out.
The upgrades between lives aren't particularly imaginative or game-changing, so I found it difficult to care about them much, and starting from the beginning does not help with the repetitivity at all.

Everspace delivers you mediocre 3D dogfighting combined with some progression of your ship throughout the run, as well as across runs. As the overall gameplay isn't very fun, I find the entire thing dull after just a short while. I don't really know of any similar games to offer as replacements, but I've heard there's some cool mecha-based 3D dogfighters out there. Regardless, I can't recommend the game beyond its graphics, as it lacks any meaningful substance.

The End Is Nigh

My thoughts on The End Is Nigh are quite similar to my thoughts on Celeste, as well as Super Meat Boy, which this seems to be a kind of worse version of. Let me elaborate on that.

The End Is Nigh is a game by Edmund McMillen, famous for The Binding of Isaac, and more relevantly, Super Meat Boy. I was somewhat surprised at the existance of this game, considering he already has a major platformer under his belt, and that this one... doesn't really add much. While I initally thought there was some story here, it really isn't in any focus worth mentioning. It's all just platforming, like Super Meat Boy, except you're less slippery, somewhat slower, can't walljump, but can grab onto ledges and little spikes.
There seems to be less stuff / variety in the world overall, as well as fewer levels and less bonus content to explore. So it's not so much that I'm surprised that he made another platformer - by all means, you should stick to what you're good at - but that this one is significantly more bare-bones than something that came out 7 years ago.

Despite a relative lack of content, the platforming is as tight as ever, the difficulty is quite right for just completing the game, and reasonably more difficult if you're getting collectables. A seemingly not-so-good decision was to make those collectibles lives later on, meaning the difficult spikes at the end if you've tried to go for a more casual playthrough. This seems unnecessarily unwelcoming.
What else... Soundtrack's great, as usual. The atmosphere and feel of the game are in line with Edmund's dark style, with much death everywhere, and you're literally collecting cancer. The gloom makes the game mostly monochrome, which, while appropriate, is sadly visually unappealing.

Overall, an all around lesser experience than Super Meat Boy (play it first if you haven't), but a very solid platformer nontheless. As I'm personally not a big fan of "vanilla platformers", and Super Meat Boy just barely made it on my list, this will not. But if you liked Super Meat Boy or like platformers, by all means play it. Despite my criticism, you must consider Meat Boy is still one of the best platformers out there, so despite not being as good, The End Is Nigh is still a great platformer. So I'd recommend it if you fit the target demographic, even though I do not.

Pit People

I just can't find a good game lately, I swear. I tried Pit People, which is supposedly a big game by a famous developer that has a lot of very positive ratings. To spoil the review, it frontloads all of its quirkyness and fun in the first 30 minutes, and then sharply falls off to absolute tedium, or maybe a silly checkbox ticker at best.

The Behemoth, developers of Pit People, are quite well known for the humor and weirdness their games extrude. I've played most, but not all, of their past games, and they're all about in the same vein. The art style is very colorful and, quite often literally, bouncy. There's a narrator telling jokes, who quickly runs out of lines as you complete the opening bit of the game, and keep in mind that the rest of the content has been passed through a 300% silly filter, examples being a number plate as a shield, a blade of grass as a sword, and paper airplanes as arrows. It's a lovely atmosphere, but sadly does nothing for the gameplay.

Pit People, specifically, is a turn-based strategy game where you control a group of fighters and can run around a medium-sized map picking fights, completing quests, levelling your characters, and earning loot. It sort of plays like other TBS games, except majorly dumbed down, where the only command you can give each fighter is where to move. They handle all the attacking and abilities on their own.
The town allows you to customize your characters, fitting each with whatever equipment you want, suddenly negating a lot of differences between characters. You do have the possibility to capture enemies as your fighters, and while there are different character types which can equip different kind of attacks and equipment, there still isn't much actual use to it. You quickly unlock all possible weapon types, and while, again, they have some variety and counterplay mechanics to them, you'd be no worse off for any practical reason if you just outfit your 6 characters identically. The strategic depth just isn't there.

There's the combat, which manages to be the worst part of the game, as you're just forced to watch your characters slowly make their animations. The enemy AI also visibly queues their character actions one-by-one for you to see before executing the move and then there's more animations to watch. It doesn't help that every single thing is a massive damage sponge and there might just be a healer in the party too. The amount of time these battles take is an insult to the player, considering there is no depth to them at all.
What's left is a staggering amount of "checkboxes to tick", as I put it. Collect all the items, collect all the characters, level stuff up, do the quests, etc. etc. But it's meaningless. These things are supposed to complement the game, not to be the game, considering how tedious they are to achieve.

Pit People tries to lure you in with an hour or two of promising a vibrant game with oh-so-many features and things to do. But just a bit beyond that time, you come to the realization that the game is shallow, repetitive, and boring. I'd recommend this to your child who is in elementary school or kindergarten, but to no fans of strategy games, RPGs, or other respectful game genres.